Working with soft and malleable materials, Fàbregas’ practice embraces tactile engagement, physical intimacy, sensorial relation and multiple forms of somatic experimentation with and through objects. Liberated from the constraints of biology, desire and affect are allowed to flow in all directions, blurring the distinction between organic and inorganic matter. In her practice, touch is a primary source of knowledge. Her work is about learning through one’s fingers and the sculptures are often reminiscent of body organs and voluptuous glands, but she also looks at prosthetics as well as non-human life-forms such as corals, polyps and the reproductive parts of plants. Fàbregas’ work belongs to the realm of the somatic, the experiential, the guttural and the unnamable. It aims to fully inhabit the world of the senses, invoking a pre-linguistic stage to imagine other possible bodies, other ways of feeling, caring and being in the world.
Eva Fàbregas (b. 1988, Barcelona) lives and works in Barcelona. Her practice spans sculpture, installation, and drawing.
Her solo exhibitions include Swell, Bombon Projects, Barcelona (2025); Respirar con la herida, Matadero Madrid (2025); Exudates, MAC Mataró, MANIFESTA 15 (2024); Devouring Lovers, Hamburger Bahnhof (2023); Enredos, Centro Botín, Santander (2023); Growths, Biennale de Lyon (2022); Vessels, Bombon Projects (2022); Skin-like, Kunsthal, Ghent (2021); Gut Feeling, CentroCentro, Madrid (2019); Those Things That Your Fingers Can Tell, Kunstverein München, Munich (2019); Polifilia, García Galería, Madrid (2019); First Act: Smooth Operations, Laure Genillard Gallery, London (2017); Picture Yourself as a Block of Melting Butter, Fundació Miró, Barcelona (2017); Systems for Displaying Matter, Enclave, London (2016); Unforeseen Changes, The Green Parrot, Barcelona (2014), among others.
Selected group exhibitions include Bienal de Bogotá, Colombia (2025); Exudates, 18th Istanbul Biennial (2025); Bio Morphe, Moody Center for the Arts, Houston (2025); Intención Poética, MACBA (2024); When Forms Come Alive, Hayward Gallery (2024); The London Open, Whitechapel Gallery (2022); La próxima mutación, Fundació La Caixa, Barcelona (2021); Touch Me Not, The Ryder, Madrid (2021); Un Momento Atemporal, Tabacalera, Madrid (2020); Yokohama Triennale, Yokohama Museum of Art (2020); Myths of the Near Future, TEA, Tenerife (2019); Polymeric Lust, Arte Display, Berlin (2019); Every Object Is a Thing but Not Everything Is an Object, Hollybush Gardens, London; Who Cares? A Radio Tale, Gasworks / Resonance 104.4 FM, London (2018); Eyecatcher, Big Screen Southend, Focal Point Gallery, Southend-on-Sea (2017); Scissors Cut Paper Wrap Stone, Ormston House, Limerick; West Cork Arts Centre, Cork; and CCA Derry~Londonderry (2017–2016); The Role of Unintended Consequences, Syndicate, Cologne; Teesside World Exposition of Art and Technology, MIMA, Middlesbrough; Soft Control, Embassy Gallery, Edinburgh (2016); How Are You Feeling Today?, Window Space (Whitechapel), London (2015); Eva Fàbregas & Andrew Lacon, Kunstraum, London (2014), among others.
Her work is included in collections such as Fundación La Caixa (Barcelona); MACBA (Barcelona); DKV Arteria (Spain); Museo Nacional Centro de Arte Reina Sofía (Madrid); Kunsthal Ghent (Ghent); CA2M (Madrid); Col·lecció Nacional de Catalunya (Barcelona); macLYON (Lyon); Centro Botín – Fundación Santander (Santander); Colección Kells (Santander); and Fundación Vila Casas (Barcelona).
Selected solo exhibitions
2025
2024
2023
2022
2019
2017
Selected group exhibitions
2025
2024
2023
2022
2021
2020
2019
2018